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Why we’re so fascinated by true crime

What makes true crime so compelling? Why millions of people are drawn to real-life crime stories Choreograph (Konstantin Yuganov) Getty Images Stage: Peaking · Momentum: High · Forecast confidence: Moderate True crime keeps dominating streaming queues, podcast charts and dinner-table conversation. Researchers say the pull is less about morbid curiosity than about something practical —

What makes true crime so compelling? Why millions of people are drawn to real-life crime stories

Getty Images

Stage: Peaking · Momentum: High · Forecast confidence: Moderate

True crime keeps dominating streaming queues, podcast charts and dinner-table conversation. Researchers say the pull is less about morbid curiosity than about something practical — a way to study danger from a safe distance.

What’s Happening

Documentaries and dramatizations like “Dahmer” and “The Tinder Swindler” have turned real criminal cases into mass entertainment, drawing audiences who binge episodes, trade theories and track updates long after release.

Researchers describe the appeal as a paradox — unsettling and comforting at once. Viewers, especially women, say they engage with the genre partly to feel prepared.

Dr. Hatters-Friedman told Real Simple: “Since early history, stories have helped warn us of danger and teach us things. We’re curious about what makes people tick, and how the person who commits murder is the same or different from us—and the same or different from other people we meet. We want to understand as humans, and also we want to figure out how to keep ourselves and our loved ones safe.”

Why It’s Happening

Hatters-Friedman points to self-protection as a core driver. “By reading, watching, or listening to true crime, women are learning about these cases from a safe distance. People engage with true crime media to help figure out the puzzles of who might become violent and to help protect themselves,” she said.

Pamela B. Rutledge, writing for Psychology Today, frames the behavior as threat management. Women, who statistically face a higher risk of violent crimes, use the genre as “a form of psychological rehearsal,” she writes — a way to gain a sense of control and learn to recognize warning signs.

The source also cites curiosity about the human mind, the thrill of fear without real danger, the puzzle-solving pull of investigative documentaries and a desire for justice and closure.

What Could Be Next

Expect the genre to keep leaning into its protective function. If audiences — particularly women — are using true crime to rehearse how to spot and respond to risk, as Rutledge describes, the category has a durability that pure entertainment trends often lack. That gives producers reason to keep investing in cases with real-world safety takeaways.

Streamers and podcast networks may also double down on cases that reward puzzle-solving. The source describes investigative documentaries and podcasts that invite audiences to connect clues and examine evidence. If that framing keeps driving engagement, expect more serialized formats that stretch a single case across multiple episodes or seasons.

Coverage could tilt further toward victim-centered storytelling. The source notes that viewers often become emotionally invested in victims’ stories and want to see perpetrators held accountable, missing people found and unanswered questions resolved. Projects built around that sense of justice and closure — including updates on cold cases and follow-ups to earlier high-profile stories — may draw the strongest audience response.

The genre’s psychological hooks, from curiosity about the human mind to the controlled thrill of fear, suggest demand is unlikely to fade soon. What may shift is tone: more emphasis on prevention and warning signs, less on spectacle.

Three Signals to Watch 1. New high-profile true crime adaptations in the vein of “Dahmer” or “The Tinder Swindler” 2. Growth in investigative true crime podcasts that invite audiences to examine evidence case by case 3. New commentary from researchers like Dr. Hatters-Friedman and Pamela B. Rutledge on how audiences, especially women, use the genre for threat management

This article was created by content specialists using various tools, including AI.

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Lauren Jarvis-Gibson

Trend Hunter

Lauren Jarvis-Gibson is a content specialist working with McClatchy Media’s Trend Hunter and the national content specialists team.

Source: www.kansascity.com

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